"Dolor"

Elizabethann Kloskin Dr. Cleghorn Intro to Poetry Oct. 17, 2001 Dolor In a bureaucratic society, everybody is supposed to affirm a voice about what they akin or dis want. However, some masses may disagree that even out though they ar in a bureaucratic society, they good-tempered do not have a voice in many issues, such as the sprainplace. Theodore Roethke uses personification, long sentence anatomical structure, and lump diction in Dolor to show the anguish and nakedness of the everyday office affair in a bureaucratic society because it is as if the workers atomic number 18 the corresponding, and have no voice.

incarnation of the offices and its supplies metaphorically emphasizes the receiveings of the work people. The lonely reception room, lavatory, switchboard (5) and the rite of multigraph, paper slip, coma (7) ar the smellingings that only people lavatory feel. However, the rooms are lonely and ritual is endless. In actuality, the people who work in the reception room, lavatory, and switchboard rooms feel the loneliness of working everyday, doing the same rituals oer and over. The sadness of pencils, uninfected in their boxes (1-2) gives the lector the impression of the unhappy workers setting neatly, post by side in their cubicles, as if identity is nonexistent. By using personification of the office rooms and objects in them, gives the reader a better dateing of how lonely and sad the workers are while doing their jobs.

The long sentence structure shoes how the narrator and the workers feel bored and tired of the workplace life. There are only two sentences in the poesy, which requires many comas that stress the routine procedures of their work life. The original sentence begins with I have cognize the¦ (1) the narrator lists the misery of the workers in personifications because one can not see the misery, sadness, etc. of the objects; they are not tangible. On the early(a) hand, the next sentence begins with And I have seen the¦ (9), which the narrator lists a tangible thing falling upon the workers ? break up. Dust accumulates over time, usually on objects that have set for a while and have not been taken care of properly. Thus, heart and soul the workers are not taken care of in the sense of voicing how they do not approve of the habitual work place. The dust is finer than flour and drops a fine film on finish and delicate eyebrows, glazing the grisly hair, the duplicate gray standard faces (12-13). The dust almost settles into the long sentence. The duplicate gray standard faces and pale hair gives the image of old people that all ascertain the same because they do not matter in the bureaucratic society. The long sentences make for a feeling of ritual, where the personifications in the first sentence set the readers tone of misery and last sentence, by placing a more tangible feel about dust, puts the reader into the reality of the work peoples feelings.

Formal diction allows the reader to correct to the office lifestyle of ritual and pain. Words like, duplicate, unalterable, ritual, and endless are words that have more than two syllables and relate to separately other in the fact that they all have the same denotation. They relate with a process that occurs the same way over and over again. Because of the process they are bored and they feel like the words misery, desolation, and delicate. Also, these words have more than two syllables in them, which give greater power to how unhappy the workers are. Dolor, the Spanish rendering meaning pain or ache, and the English definition meaning sorrow and anguish, is used in for the title and in the poem to verify that the workers, as well as the narrator feel sorrow, anguish, pain.

Theodore Roethke uses formal diction, sentence structure, and personification in Dolor to manifest the pain and boredom the workers feel as they attend work everyday. Formal diction is used to let the reader understand how intense the workers feel about their workplace, where the long sentence structure shows the rituals of the workers. Personification of the offices and work materials provide a metaphorical front at how the workers see pain and desolation whenever they work.

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