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Theodore Dreiser The Ameri cigargontte Dream Courtney Connors English III CP Mr. Breslin         Through the accessible disapproval of Theodore Dreiser, the plight of the poor is comp ard a arrive atst the actions of the full. In devil An American cataclysm and tiddler Carrie Dreiser presents characters who are driven by ignorance and in ability to withstand the pressures of the sh eachow American ardent for m bingley, mastery, mien -- dreams ab break which Dreiser himself was indeed an permission (W.A. Swanberg 254). Through come forth his career, Dreiser wrote for a descriptor of periodicals in order to discharge enough funds to stand out himself. His winner in that respect lead him to write figments, which in invert guided his running to fame and fortune.                  Mirroring the life and op do of Dreiser, the characters in An American Tragedy and babe Carrie demonstrate the uniform goals an d hopes for their lives. alike(p) Dreiser, two Clyde and Carrie came from modest roots. In American guild at the manoeuvre of the century, however, it is gold that last makes the man. As a result, both characters autho stick up their lives take shapeing their musical theater mode into this mold, even at the be of compromise themselves.          inwardly the book An American Tragedy, a poor male child is carrying his way up to become kn declare. In his rules of order, a denomination is known for the amount of money its holder makes. His actions in and out of work reflect what his friendly life of popularity allow for become. He extends for richness and a life of prosperity, scarce it is not unendingly what he pauperisms. His choices with relish have to be that of wealth and success or he is dishonored.         This character, Clyde, takes a series of heterogeneous jobs to answer him succeed. His first high paying job was as a bell hop in a hotel frequented by the rich! . From in that respect he went on to work at the habilitate pulverisation owned by his extremely wealthy uncle, Uncle Griffiths. commence in the wash rooms, Clyde eventually worked his way into a managerial military strength keeping tab of the payroll. While at the raiment elate factory Clyde engages in a relationship with Roberta, one of the workers low his charge. Clyde then falls in love with Sondra, a fair sex of the pep pill class. Not long after, he discovers that Roberta is pregnant. earlier than chance his own rise into the fastness class, Clyde must come a way to get rid of Roberta. His only thoughts are that of murder, but he lacks the courage to do it himself. Instead, he leaves her to deluge after their boat overturns during an outing. Clyde is caught and then imprisoned, given the death penalty.         In sister Carrie, Carrie Meeber is a young woman traveling from her sylvan home to the city to live with her sister. Upon arr iving, she is fascinated by the debauched and barefaced city lifestyle. Carrie soon discovers, however, that it is only the wealthy who can make happy this side of city living. Rather than work as a lowly employee in a shoe factory, Carrie allows Drouet, a rich man who is drawn to her inexperience, to support her. Soon thereafter, however, Carrie meets Hurstwood, a withal wealthy man who, without her knowing, is already married. Hurstwood falls in love with Carrie and, in an attempt to convince her to run extraneous with him, steals a large sum of money from his work settle and runs off, taking her with him         Hurstwood ends up returning the money and the couple eventually fall to bleak York. There Hurstwood is unable to find work and Carrie grows increasingly sad with their lack of money and incognito state. Carrie then pursues work in the theater as an actress, becoming a celebrity to the highest degree overnight. As Carrie catapults into fame a nd fortune she forgets Hurstwood, which in turn leads! him to suicide at the unfermenteds end.         What both novels portray is the inquisition of the American Dream at the turn of the century. The idea understructure the American Dream concept is that, through hard work and good goodness, anyone can rise from poverty into riches. If they can do it, so can I. Dreisers characters, however, are not in all moral and reliant on hard work to mount their success. In this society the ends justify the means. Carrie, for instance, succeeds largely as a result of her relationships with men such as Drouet and Hurstwood. She spends very comminuted while in the novel actually functional her way up from a low-paying, low-status job.         Similarly, the story of Clyde Griffiths demonstrates the extremes to which good deal were instinctive to go in order to reach success. Like Carrie, Clyde spends itty-bitty sentence working, rising in society by making friends with the upper class social elite. His love affair with the working girl, however, threatens his position among these elite. Finding no other way out of the lieu that would allow him to remain among the upper class, Clyde decides to eliminate this obstacle and kills Roberta.         What Dreiser demonstrates in both novels is a criticism of the American compulsion with money and high social status. However, the truthfulness of these musical scores demonstrates Dreisers toleration of this society. Though he may not esteem of it, he cannot, and does not, deny its existence. As a result, he does his topper to regard it.         In trying to understand the society, Dreiser attempts to present an undecomposed account of American life. His inspiration for these two novels came from actual events. An American Tragedy was base on a number of cases involving killers who [were] prompt slight by hatred than by the passion to rise in society and thus, as Dreiser saw it, was a pere nnial and flaming(a) indictment of the nations false ! standards (W.A. Swanberg 253). Cases he psychoanalyze included: the 1891 murder of Helen Potts by Carlyle Harris; the 1906 murder of Grace chocolate-brown by Chester Gillette; and the 1911 murder of Avis Linnell by Reverend Clarence Richeson.         Similarly, Dreiser establish Sister Carrie on the life of a woman he knew quite well, his own sister Emma. Emma, who in 1886 had eloped from Chicago with ... [L.A.] Hopkins, became, with fictional changes, Sister Carrie. Hopkins became George Hurstwood, and Chapin & Gore, the truly swell saloon where Hopkins rifled the safe, became Fitzgerald & Moys. Much of his spot came off-the-peg (W.A. Swanberg 83). Dreisers portrayal of Carries life was in or so respects more fact than fiction.         Mirroring the life and ambition of Dreiser, the characters in An American Tragedy and Sister Carrie demonstrate the same goals and hopes for their lives. Like Dreiser, both Clyde and Carrie come from modest ro ots. In American society at the turn of the century, however, it is money that makes the man. As a result, both characters spend their lives working their way into this mold, even at the cost of compromising themselves.         The idea driving both novels is that it is the money that makes a man. The upper classes, with their pockets profuse of money and stylish clothes, are closely idolized by the American population at large. When Carrie and Clyde are without money they are looked down upon with contempt by the upper classes. Once they have money, Clyde and Carrie are able to conjoin the fashions and pastimes of the wealthy, in the end making their way into the elite society.         Although both novels were based on fact, only An American Tragedy met with critical success. Sister Carrie, Dreisers first novel, was not successful because [it] depicted social transgressions by characters who felt no remorse and largely break slacken punishme nt (Nina Baym 791). Nearly a decade later the novel ! was reissued and has since become more popular.         Dreiser was more fascinated by ideas and good-natured being destinies than he was in love with language. His interest was in human motives and behavior and in the particularities of the environments that helped to shape them (Nina Baym 792). The impact of the money-obsessed society on characters such as Clyde and Carrie is an example of this. How each of these characters lives and strives for success demonstrates the arcdegree to which they are influenced by wealth and high society.         In conclusion, a good deal of Dreisers work is based on a coincidence of the lifestyles of the poor to the lifestyles of the rich. Those with money likewise have the power in society which is something that everybody wants. For that reason people much like Clyde and Carrie strive to become wealthy at any cost. Dreiser examines this and concludes that it is because the society at large that people pl ace such a enceinte emphasis on money. If you want to get a full essay, order it on our website: OrderEssay.net

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